I N T U E R I

About the work

"Intueri," derived from the Latin "to look at," is a black and white drawing depicting a nude female figure in an embryonic pose, directly engaging the viewer with an enigmatic gaze. This artwork invites critical examination through the lens of the "male gaze," a concept that explores how women are visually represented from a masculine, heterosexual perspective, often objectifying them as passive recipients of the male observer's attention. The artist's choice to present the female form in this manner raises questions about power dynamics, vulnerability, and the complex interplay between subject and spectator.

The embryonic pose of the figure in "Intueri" suggests a state of potential and nascent existence, contrasting with the direct, unwavering gaze that challenges the viewer. This juxtaposition complicates the notion of the male gaze by imbuing the subject with agency and self-awareness, disrupting the traditional power dynamic where the female figure is merely an object of male consumption. The drawing prompts viewers to consider the implications of looking and being looked at, forcing them to confront their own role in perpetuating or subverting established visual conventions.

Further analysis of "Intueri" explores the use of black and white as a deliberate choice to strip away distractions and focus on the essential form and expression. The absence of color also symbolizes a reductionist view of women, reducing them to a binary of either/or, further emphasizing the critical lens through which the male gaze is being examined. Ultimately, "Intueri" serves as a powerful commentary on the complexities of representation, inviting viewers to critically engage with the visual language that shapes our understanding of gender and power.